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John Williams Prompt #2

 Without a doubt, the hip hop genre has evolved from one that solely influenced areas in which renowned rappers hailed from, to one in which a rapper's impact extends to neighborhoods all over the world. Hip hop impacts individuals of various ages, races, and genders all around the world. As a work of art, Hip hop is received and valued differently (Benjamin, 2010). The styles artists use in their art influences the audience diversely in terms of fashion and trends. Because of rappers' popularity, the genre's effect on mainstream culture has affected fashion, ideas, and trends that the general public follows. Hip hop artists utilize their music to communicate their thoughts, ideas, and feelings through songs. Someone will comprehend what the artist is talking about based on the artist's lyrics; since they have either done the same thing or are experiencing the same difficulty.


Hip hop began in suburban areas in the Bronx, New York, in the late 1960s, as a small, isolated culture in African American and Latino communities but soon grew popular. The culture is distinguished by its musical style and beliefs. Rapping, breakdancing, DJing, and graffiti are all forms of hip hop (Mukerji & Schudson, 1991). Of the four aspects of hip hop, rap has successfully taken center stage and been co-opted into the mainstream. Breakdancing, graffiti, and DJing have declined in popularity since their mainstream success in the twenty-first century, although they still exist as hip hop's underground subculture. Along with rap, breakdancing and DJing were prominent forms of music delivery, while graffiti was just a popular pastime in areas where hip hop was respected.


The first amendment guarantees freedom of speech, which is precisely what hip-hop artists are doing. Hip-hop music has had a beneficial and detrimental impact on our society. Hip hop has had an effect on police brutality and violence against youth. Hip hop has had a significant impact on our society because it speaks for those who cannot speak for themselves. Hip hop is countercultural; this is evident in how hip-hop artists dress. Hip hop musicians wore bright colors and baggy clothes in the twentieth century, but after the millennium, there was a significant change in how artists dressed as mainstream emerged. Today there are many distinct kinds of dress solely connected with hip hop. One of the most major beneficial effects of hip-hop music is that it gave a whole population a means to express themselves creatively to the rest of the world. It is because of this that popular culture became something of mass consumption. Different people listened to it to picture the feelings of their communities and what others were expressing. 


Popular culture has been defined as 'mass culture,' meaning it is made for mass consumption and has no boundaries (Storey, 2018). Hip hop has since spread over the world and is appreciated by many social groups among countries. Because of its widespread popularity, hip hop is now a popular culture in several other countries. Hip hop culture, for example, has been adopted by many youngsters in nations such as the United Kingdom, France, and Germany as a means of expressing themselves and their life. Hip hop became popular in Africa in the mid-80s due to the American ascent of the culture, and there are many rappers that rhyme for pleasure or to convey challenges and struggles they may face (Storey, 2018). Hip hop has become one of the most important forums for discussions about race, racial inequalities, and the change of racial meanings as a genre of music and popular culture. Hip-hop voices give timely commentary on current racial occurrences, as well as critical views on historical and ongoing patterns of race-based injustice through music and fame. In terms of extending well-worn cycles, creating more nuanced understandings of current readings, and pointing toward new lines of inquiry, I believe the recent advent of ethnographic works on hip hop and race has enormous potential.
Hip-hop has a terrible reputation for gender and music - homophobic, sexist, male-dominated, and so on. According to the history of the genre, women have been participants and practitioners of hip-hop since its birth. In hip-hop, there has been a lot of sexism regarding how women are seen as musicians and how women are spoken about in general. It is not just hip-hop misogyny, though. It's merely a mirror of everyday sexism in society. Women's art has always expressed a wide range of experiences and perspectives. The current hip-hop industry, however, views women as sex objects. 


In recent years, there has been much discussion on whether or not white privilege exists in America. People tune in to the beats and rhymes of today's popular hip-hop tunes and hum along unconsciously. They don't know the rich history of the music they're listening to, mainly its darker side (Adorno & Horkheimer, 2020). Initially anchored in the black community, hip-hop has been appropriated and transformed into a white-dominated business of privilege and greed. Hip hop was a black culture thing; however, not anymore. Hip-hop has transformed into something it was never meant to be. Hip-hop was discovered in its purest form, via individual expression, and something that the black community could call their own in its early days (Benjamin, 2010). Years later, the world is left with current hip hop, a long-forgotten art form that has drifted far from its origins.


Hip-hop history is a fascinating subject that deserves to be explored further. Since its start in the 1970s, this cultural movement has seen significant development and evolution. What started as a local initiative in New York City to create a haven for African-American and Puerto Rican children has grown into a global phenomenon. Hip hop continues to be a prominent influence in culture throughout the world to this day.

Comments

  1. Hey John,

    Your blog post was great! It’s something I’ve actually been trying to tell people for an extremely long time. I love how you drew upon the history of hip hop to emphasize who and where the music originates from. Specifically when you state “Hip hop has had a significant impact on our society because it speaks for those who cannot speak for themselves,” it’s powerful because it truly is what the genre stands for. It is a compilation of minority artists who want to tell their stories through an art form and use hip hop and rap as an outlet to express this. One thing that I love is when you state that Hip Hop has been appropriated because there’s no other way to put it. Through industrialization, we can see how an art form that had belonged to minorities has been repurposed and remade for audiences it wasn’t implied for. This draws parallels to what Jessa talked about in class with the concept of context collapse. The fact that there are White suburban kids reciting lyrics about how they “came from the trenches” or how they’ve spent “time in the pen” completely destroys the context of the lyrics that were intended for audiences who can understand and relate to these songs. Further from being appropriated, hip hop has become industrialized and through seeing the capital that it holds, White cis-male executives from large music organizations took this genre of music and have successfully been able to capitalize off of it and in a sense, colonize it. I love your awareness and I love how you wrote this and were able to connect it to the readings. Great job!

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  2. Hi John!
    I loved your blog post on hip-hop! I thought your explanation of the history of hip-hop and the success of rap was super interesting! I loved your detailed description of hip-hop fashion and the various elements of hip-hop culture. One part of your post I found to be particularly interesting was your critique of the misogynistic aspects of hip-hop. I am not very knowledgeable on hip-hop so learning from someone who has a stronger grasp of the genre was very informative. After reading your blog post, I was reminded of the reading we did on the Crunk Feminist Collective. As explained in class, the Crunk Feminist Collective is a communitty developed for hip hop generation feminists of color to discuss their ideas and express themselves. In the Crunk Feminist manifesto, the authors discuss the intersections between hip-hop and feminism. One point that was emphasized in the manifesto is the push to shift the reputation of feminism, explaining that the “feminist” label is not important; instead, it is one’s actions that count. Another point discussed in the manifesto is the idea that feminists can enjoy pop-culture and hip-hop with a critical and conscious eye (Cooper, 2017). In relation to your post, the Crunk Feminist Collective attempts to address the mysognitc elements of hip-hop by giving women of color of platform to express their ideas. Overall, I loved your blog post! I thought it had so many interesting points on hip-hop and connected with the readings from class in a clear and intelligent manner!

    -Lauren Shulman

    Mission statement. cropped-original-1-3.png. (n.d.). Retrieved December 3, 2021, from https://www.crunkfeministcollective.com/about/.

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